LOT DETAILS

Materials:

ink and color on paper

Size Notes:

each

Description:

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Markings:

(1) Signed Jiaoqi Hao, Dated Bingzi (1816), The Twelfth Lunar Month, With One Seal Of The Artist, Wang Xue Hao Yin; (2) Signed Xuehao, Dated Dingchou (1817), With One Seal Of The Artist, Jiao Qi; (3) Dated Dingchou (1817), With One Seal Of The Artist, Wang Xue Hao Yin; (4) Signed Xuehao, With One Seal Of The Artist, Jiao Qi; (5) Signed Jiaoqi Hao, Dated Dingchou (1817), With One Seal Of The Artist, Wang Xue Hao Yin; (6) Signed Jiaoqi, With One Seal Of The Artist, Wang Xue Hao Yin; (7) Signed Hao, With One Seal Of The Artist, Jiao Qi; (8) Signed Xuehao, With One Seal Of The Artist, Jiao Qi; (9) Signed Jiaoqi Hao, With One Seal Of The Artist, Jiao Qi; (10) Signed Xuehao, With One Seal Of The Artist, Jiao Qi; (11) Signed Jiaoqi, With One Seal, Wang Xue Hao Yin; (12) Signed Wang Xuehao, Dated Winter Of Bingzi (1816) And Spring Of Dingchou (1817), With One Seal Of The Artist, Jiao Qi; Title Page By The Artist, Signed Shuqi, With Two Seals, Bu Qiu Si, Wang Xue Hao Yin; Titleslip By Wang Zhen (1867-1938), Signed Bailong Shanren, Dated Xinwei (1931), With One Seal, Wang Zhen; Colophon Also By Wang Zhen, Signed Bailong Shanren, Dated Xinwei (1931), Autumn, With Three Seals, Bai Long Shan Ren, Wang Zhen Da Li, Yi Ting; With One Collector's Seal Of Zhang Bojin (1897-1988), Tian Yin Tang Cang (12)

Exhibited:

. Heritage of the Brush: The Roy and Marilyn Papp Collection of Chinese Painting , Phoenix Art Museum, March 18- May 7, 1989; Mary and Leigh Block Gallery, Northwestern University, March 8-April 22, 1990; Arthur M. Sackler Museum, Harvard University, September 28-November 24, 1991; Spencer Museum of Art, University of Kansas, October 25-December 27, 1992; Columbus Museum of Art, Columbus, Ohio, April 18-June 20, 1993; Elvehjem Museum of Art, University of Wisconsin-Madison, January 29-March 20, 1994; Crocker Art Museum, California, October 30-December 31, 1997; Georgia Museum of Art, University of Georgia, January 31-March 28, 1999; Fleming Museum of Art, University of Vermont, October 3-December 10, 2000.

Literature:

1. The Literati Mode: Chinese Scholar Paintings, Calligraphy and Desk Objects , London: Sydney L. Moss Ltd., 1986, no. 31, pp. 111-126. 2. Heritage of the Brush: The Roy and Marilyn Papp Collection of Chinese Painting , Phoenix Art Museum, 1989, cat. 35, pp. 98-101. 3. Claudia Brown, "Heritage of the Brush: The Roy and Marilyn Papp Collection of Chinese Painting", in. Orientations , vol. 22, no. 9, September 1991, fig. 12, p. 81. 4. Claudia Brown,. Great Qing: Painting in China ,. 1644-1911 , University of Washington Press, 2014, fig. 4.22, p. 112